When the rewrap was done in a trial on editready, it locked up my system also, both on ama and import. I found a free tool as a starting point that rewraps movs, īut when I rewrap them, link to the new folder, it will AMA but there is a green screen in the source viewer, audio but no video. Wouldn't spend anymore time AMA-ing these. Like I said, importing was the only reliable method that worked. Then re-import all of your footage at the codec. high volumes of motion, sparkles on water, etc.). Compare which codec looks as good as your source material in a visually complex sequence (e.g. Then, compare the lower bitrate MXF to your source footage. (Note: available bitrates will be defined by your project's frame size and frame rate.) The larger the bitrate, larger the resulting MXF For example, DNxHD 220 is 220 megabits per second. Have you tried importing, or generating in the case of Catalyst Browse, a different flavor of DNxHD? Remember, the numbers in the codec's name are the codec's bitrate. Then again neither does Premiere - very buggy - so I'll just keep at it. I want to learn to be proficient in Avid but it just never seems to work. NOw I am trying to open Avid and it won't open, saying "invalid file type." Next I'm going to work to test the mov wrap option. Would rather AMA and just keep the usuable footage if possible, being able to relink the subclips and re-transcode later if need be. I will import if I have to but not sure how practical that is going to be for large events. That's only three of the combined spanned clips. Created a 40 gig MXF file from a 6 gig file. Import - Did import the TS muxer file, which repackaged the original files into M2TS. Although it recognizes regular MTSs under the file structure, AVCHD folders, etc. I try to AMA, tells me I do not have the plugin. ![]() This doesn't happen on non-spanned MTS clips -they work fine.ĪMA: file is grayed out until I choose "autodetect" in the dropdown. Note: this error is from trying to transcode a subclip in the bin on a spanned clip. Would really like to get this workflow figured out because it dogged me on my last project and I ended up having to rebuild it in Premiere. Regarding Edit Ready, so the solution is to rewrap the MTS files as mov, put them in their own folder, and ama and subclip from there? Forego MTS entirely and just work from mov files? Also do you see any file size differences when this is done? I wouldn't really want to import anyway, would prefer to subclip and transcode due to file size issues that come with transcoding lots of unused material, such as cameras on at an event. They also will not import, and give an error about the mpeg not being supported. Whatever workarounds there might be, I am hoping there will be a simple solution. I'm trying to figure out how to work around this issue for now in what I have. It may be a version-specific issue since I understand this was probably fixed later. The problem comes when subclipping and transcoding, it gives an error. The overlay tool can be used to burn-in media names, realnames and shoot dates, timecode, and other metadata.They do come in, link to the folder via AMA and and span just fine. Layout custom-formatted text using metadata values from source media. Import images with alpha channels in order to apply complex bugs and watermarks. You can create overlays that will be layered on top of your video using the overlay editor. Avid Media Composer can be used to create DNxHD/HR OPAtom and OP1a MXFs. QuickTime movies can be exported for Adobe Premiere Pro, Apple Final Cut Pro, FCPX and iMovie. EditReady automatically scans and interprets camera media and metadata to convert to high-quality edit formats so that you can get to work quickly. Burn-in metadata, timecode, custom text, and images. ![]() You can resize, rotate, retime, trim out points, apply color changing LUTs, and trim in and out. ![]() This tool is designed to help you get the best possible output for your source media without confusing settings. Transcode or wrap media into edit-optimized masters or proxies.
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